22 September 2019 to 27 September 2019
La Bellone
Fusée de détresse

Distress Flare / Fusée de détresse is a European Project based on The Encyclopedia of Migrants. CIFAS will present its first phase in Septembre in the frame of SIGNAL. 

Distress Flare intends to raise questions among the ones who make up our contemporary societies (citizens, politicians, media), questions about the political and social situation of migrants in Europe today.

The project continues the work initiated with The Encyclopedia of Migrants a previous European project intending to create challenging - though sensitive and intimate - artistic forms on an eminently political subject.

CIFAS takes part in this European cooperation project, which will be deployed between 2019 and 2022 in France, Belgium, Portugal, Spain, Italy and Turkey.
Each partner will create its own local artistic projects, led by a selected local artist in collaboration with citizens, researchers and students, based on the project The Encyclopedia of Migrants

In Brussels, Distress Flare will be led by Frédérique Lecomte. She will lead a residency for a group of professional and non-professional performers. The outcome of this work will be presented in the public space on Friday 27 September in the frame of SIGNAL. 

More details will follow, but feel free to subscribe to our newsletter to be the first informed!

Image: (c) L'Age de la Tortue


L'Encyclopédie des migrants

Distress Flare is based on the previous project The Encyclopedia of Migrants

The Encyclopedia of Migrants is an artistic project gathering 400 testimonies and intimate accounts of migrant people together in an encyclopedia.

The collection began in 2007, initiated by Paloma Fernández Sobrino, director and author of interdisciplinary projects.

The Encyclopedia of Migrants questions migration through a sensitive and intimate approach focused on the theme of distance.
Each witness was invited to write a handwritten letter in his or her mother tongue to a person who remained in the country, and to answer the following questions:
What does remoteness produce on the individual?
Where and how do landmarks remain when abandoning a country?

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